Feeds:
Posts
Comments

Eucalyptus is a simple novel.  The story of a widower who plants hundreds of eucalyptuses as a memorial to his wife. Living with him in this man-made forest, hidden away from prying eyes, is the young daughter (due to be portrayed by Nicole Kidman in a never completed movie).  Over the years, men have tried to win her heart, to no avail. One day, he creates a seemingly impossible competition — the man who can name all 800 eucalyptuses on his property, will win the daughter’s hand in marriage. Suitors try their luck.  A brilliant, dashing botanist (Hugo Weaving) nears the finishing line, the daughter finds herself drawn to another (Crowe) who will ruin the film adaptation of this novel in the process.

The last sentence is a post-modern conceit, where life imitates art.  The author Murray Bail thought his novel was un-filmable, he was probably right. Filming of Eucalyptus was due to start in February 2005 in the country town of Bellingen in New South Wales.  The crew had even built a mock farmhouse which was never used.   The lives of the citizen’s of Bellingen were severely disrupted. Hotels, motels, houses booked for the actors and crew were never occupied.  Residents who had leased their homes and made alternative arrangements were left hanging.  They had encountered a “cursed novel adaptation”.  The artistic differences between film director Jocelyn Moorhouse (of Proof fame) and Crowe which killed the film are not exactly interesting in themselves.  What is more fascinating is the fact that this novel has such power that it can drive people against each other in terms of their interpretation of the story.  The media estimated the funding for this film was $15 to $20 million, yet Crowe was willing to sacrifice this, and the livelihood of his film-crew and a chance to work with Kidman over his understanding of a novel.   The official reason was supposed to be rain which damaged the film set.  However, these are but the symptoms of the “cursed novel adaptation”.

Another famous example was the attempt by film director Terry Gilliam to film Don Quixote, the unfolding disaster, which also included downpours (all cunningly recorded in the documentary Lost in La Mancha) resulting in the complete abandonment of the film project.  The reality is that no film adaptation could ever do justice to the work of Cervantes, attempts were doomed from the start.  Famously, Orson Wells tried but failed to complete a Don Quixote project.  Could it be that Eucalyptus is Murray Bail’s answer to Don Quixote?  The links are there, a deluded man who sees eucalyptus trees as his wind-mills against the world.   Both these novels can drive you and Crowe to madness – they must be worth a read.

We have turned off the comments feature -  suffering from a great bombardment of spam,

You can send me a comment on FB.

Nathaniel.

 

I was not intending to write about the recent events in London and other major English cities during August 2011 on this blog, since I was on the other side of the world at the time, and not a first hand witness. However, an anecdote caught my attention in terms of the targets of the looting during these recent riots. It seemed that the high street shops which suffered the least, or were completely overlooked by the looters, were all book-shops. Immediately two thoughts came to mind, firstly the looters saw absolutely no value in books and therefore did not waste their time trying to break into these kinds of shops, or secondly the looters wanted to protect their English cultural heritage from wanton destruction and deliberately limited their attacks to electronic stores, sports shops, and corner super-markets. I suspect the truth lies within the first thought.  Unfortunately, books and novels were no longer seen by the actors of this revolt as items of value to be desired or even instruments which defined a revolution. Compared to the big European revolts of May 1968, or the Maoist revolt in China, which were in effect cultural revolutions defined by the written word, the uprising of 2011 seemed to be a product of consumerism and advertising. It was observed that the most stolen items (Sneakers, iPods and iPads, video games, TVs, junk food) were those which were the subject of intense advertising campaigns. This was, in effect, not a revolt of the poor for basic items which help sustain life, or to better their lot in life, but an up-rising of a new generation of Londoners considering themselves entitled to these items.  For them their identity was now defined by these very same consumer products. In just forty years it seemed, since the revolts of ’68, books, reading, and in a sense imagination, were no longer essential building blocks for the way a generation aimed to create a world-view.

Of course this kind of behaviour is nothing new. If we are to compare past riots, even only within the London context, we can see little difference over the last Seven Hundred years. In 1381, London was already burning and pillaged by a set of malcontents, that time it was the peasantry revolting against a hated feudal poll-tax, and instead of shop-keepers being bashed and looted, it was Flemish merchants getting knifed by the angry peasant mob because they were simply jealous of their growing wealth. Six Hundred years later in 1981, the Brixton riots triggered by racial tensions, were again hijacked by looters. Time and again European cities have seen up-rising through-out the centuries which have acted as warning posts to further monumental social change. You can read a detailed analysis of the events of 1381 from the following book from a young historian, Dan Jones (http://www.summerofblood.com) written a couple of years ago. In fact these kinds of comparative analysis are also nothing new, as Engels, produced a tract comparing the European revolts of 1848 with the peasant rebellions of 1525 in Germany, Switzerland and Austria, which you can read here (http://www.marxists.org/archive/marx/works/1850/peasant-war-germany/index.htm). You might need to work through the usual nonsensical Marxist rhetoric in order to get an understanding of Engel’s points, but some of these can still be applied to the recent events we witnessed in August 2011 in England.

Firstly, the riots of August 2011 were the first symptom of a loss or down-grading of economic activity in large English cities. Although marginal, most of the rioters were the first to feel the effects of the economic down-turn, namely they no longer had the means to purchase legally their items of desire, items for which culturally (due to advertising) they felt absolutely entitled to. These modern day urban peasants are behaving in exactly the same way as the peasants of central Europe four hundred years ago in 1525. Back then Germany had lost out to the emerging markets created by an increasingly powerful merchant navy of Britain and Holland.  Similarly, the UK and most of Europe in 2011 is now losing out competitively to the rising economic dominance of China, and therefore losing further access to economic wealth.

Secondly, the immediate reaction from Government, whether in early-modern Germany, or 1848 France, or the Thatcher years of 1980’s UK, will always be to increase the power of the state. However, this reaction is now pointless, as we are all living in a completely globalised world. The problem today is that the State, which abhors the anarchic nature of these up-rising, will no longer be able to control the context within the bounds of the national borders. Even as late as the beginning of the 21st Century, Governments still had the ability to control the cultural context; they had the means to limit the access to certain cultural products, namely specific novels, pamphlets and films; whilst promoting others. In the globalised networked age, most of the citizens of the Western World now have access to unlimited sources of culture, with little or no control from the state. For the inner-city youth involved in the recent riots, their major defining culture seemed to focus around the gangsta aesthetic, mostly through the medium of music and video games. Although, this cultural style has remained popular across all of the young strata of British society, it leaves little to the imagination. It was therefore not surprising that the looters targeted electronic shops and sports stores, in a sense they were gaining access to the objects, fashion, and totems which defined their culture, and their very identity.

In this new media age there will be little to be gained from seeking to control access to these types of cultures. The flood-gates were opened as soon as You-Tube started playing gangsta-rap and as soon as smart-phones began to use instant messaging. The medium which provided the message was not in itself the problem, it was rather the content, and the lack of imagination which the message contained. Where-as in the past, even the banned novels across the ages (such as Madame Bovary, Grapes of Wrath, Dr Zhivago, Animal Farm) or the political pamphlets (Mill’s “On Liberty”, Rousseau’s “Du Contrat Social”, or even the Little Red Book), contained universal truths which enabled the human mind to soar with imagination above the miseries of daily life. In fact none of the current new media are actually able to engage the human mind of the rioters into the individual self-actualisation of their own separate human identity. It could very well be that if the young looters had been introduced to a few good novels, a few good books, and had valued the written word, they may very well have targeted a bookshop down the high street, instead of the local video game shop, but then again their own sense of self-worth, endorsed by the act of reading, might have made them think twice about blindly following the mob in the rampage.

Honestly, I do hope that those caught up in the criminal justice system are shown the prison library during their long sojourn at Her Majesty’s pleasure. They just might emerge as a better reformed human being if they were able to read a novel or two. However, do not believe those who have already proclaimed that the events are a “one-off”, they have occurred time and again in the history of London, and in much of Europe. The more the economic squeeze takes effect the higher the chance of a repeat performance – maybe someone will write a good novel about this one day.

A romp through the late 1700′s which takes in a young Irish rogue who ends up in the British Army in Germany for the Seven Years War and then in the pay of the Prussians. He’s adventures keep him away from the UK for eleven years until he finally returns to win the heart of “my Lady Lyndon”. He forces the Countess to marry him on the death of her first husband. In the process he becomes a step-father and develops a relationship of mutual hatred to her first son, the young Lord Bullingdon. As the new head of this noble family, Barry raises an English army to fight the Americans during the 1776 revolution, which his step-son joins. Debts abound, not least through gambling, and even his wife seeks to be rid of Barry Lyndon. The anti-hero ends his days in Fleet prison dying of alcohol related illness.

One of the best of Thackeray, although others prefer Vanity Fair, the story of Barry Lyndon is a true representation of the madness of Europe during the 18th Century, and the inherent fall of the aristocracy. It was also one of the first Novels to be written with a real antihero as the main character, probably the reason why film Directors such as Kubrick found the story so appealing for his major feature film Barry Lyndon. This Novel has had many titles, the most accurate being the 1856 version: “The Memoirs of Barry Lyndon, Esq. Of The Kingdom Of Ireland Containing An Account of His Extraordinary Adventures; Misfortunes; His Sufferings In The Service Of His Late Prussian Majesty; His Visits To Many Courts of Europe; His Marriage and Splendid Establishments in England And Ireland; And The Many Cruel Persecutions, Conspiracies And Slanders Of Which He Has Been A Victim”.

Country France in the 19th Century is a world of intrigue where the lives of women and girls are cheap, and paintings of green horses have the ability to make social observations and commentaries.

A fine yarn by the pen-master Aymé of the life in the village of Claquebue from the Franco-Prussian war of 1870 and the following generation. War brings pillage and rape, which bounds two families in the village into a generational hatred.

As the green mare muses, she believes that houses and the families who live in them have a different gender, they then select other houses and families to dominate or submit, which explains all the events “dans la campagne” following the end of the 1870 war. A real insight into a now vanished world.

It is clear that the novel with the most votes with six votes in total from this web-site and from our Facebook presence is  Donna Tartt’s – The Secret History.

A good result if you consider the tough competition from the other novels:

Marina Lewycka – A Short History of Tractors in Ukrainian received four votes,

Both, David Mitchell – The Thousand Autumns of Jacob de Zoet and Nick Hornby – The Long Way Down  gained two votes each.

Donna Tartt’s novel is now on the list of 250 novels.

 

Over 100 Face Book users recommended the following books to read over the week end of 21 to 22 May 2011.  I’ve selected all the Novels which were:

1) Not already on the list,

2) Attracted at least one “like” recommendation from other Face Book users.

The result is the poll below which you can use to make your recommendation for a good read for the week-end.  The selection with the most votes will end up on the list of Novels you might want to read in your life-time.

Voting for this poll has now closed

Playing around with Google ngrams, you can undertake an analysis of key-words across all of the books scanned by Google.  The graph analysis below shows the enduring popularity of Austen in the English language, compared to some French writers (Balzac,Flaubert,Proust and Stendhal):

 

Google Book Ngram for this Graph on selected authors

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The graph becomes interesting when you compare these authors restricting the dataset to only French works.  Proust is now the clear top referenced author, although Balzac was again as popular as in the English only dataset, Austen flatlines on the floor of Francophone culture. Not sure what this proves, but I’m tempted to carry out further research on all the Novelists on the list, just to determine the most referenced authors in the English and French language.

 

 

Thanks to all our voters for the new writers of the 21st Century.

Out of the seven proposed new novels, both Ned Beauman’s “Boxer Beetle”, and Evie Wyld’s “After the Fire, a Still Small Voice” gained the most with three votes each.

I’m told these two are good choices, although I have yet to read either of them.

I’m also starting to think that we should only have one selection out of the seven proposed novels – and will therefore select only one of these two works for the List of Novels – once I’ve finished reading them.


Test your knowledge of the List of Novels by trying the Facebook based Book Challenge List.  Follow this link:

http://apps.facebook.com/booklistchallenge/List/?l=322

The average number of Novels selected from our list by our readers is currently 42.

Older Posts »